For almost three decades East Berlin duo Cyan has produced urgent, experimental yet precise graphic design. Jan Middendorp meets them while the city sleeps
Like all design studios, Berlin’s Cyan has gone through a very unusual year, writes Jan Middendorp.
Italy’s Tipoteca museum commemorates its quarter century with 25 specially commissioned posters. By Simon Esterson and James Clough
Based in Cornuda in the northeast of Italy, Tipoteca is one of the finest printing museums in the world.
On the first anniversary of Wim Crouwel’s death, Alex J. Todd recalls a visit to the Stedelijk Museum exhibition ‘Mr. Gridnik’
On 19 September 2019, nine days before the opening of ‘Wim Crouwel: Mr. Gridnik’ at the Stedelijk Museum, Crouwel died, aged 90, in Amsterdam, writes Alex J. Todd.
Over the past five years, Vanja Golubovic and Onlab Geneva have crafted several series of powerful posters for the Berlin techno club Tresor. By Daniel Melfi
Until the lockdown, Vanja Golubovic and her team designed around twenty flyers each month for Berlin’s iconic Tresor Club, writes Daniel Melfi.
Li Beirut is a unique font – made in a week by 160 type designers – to support victims of last month’s Beirut blast. Nadine Chahine writes for Eye about her Letters of Hope project
On Tuesday 4 August 2020, villages and towns to the north, east, and south of Beirut began to report a big explosion, writes Nadine Chahine.
Eye’s next Type Tuesday, ‘David King: Ranged Left!’ will celebrate the life and work of David King (1943-2016)
Please join us for the next Type Tuesday at 6pm (British Summer Time) on 8 Sept 2020. This online event marks the publication of Rick Poynor’s new book David King: Designer, Activist, Visual Historian (Yale), designed by Eye’s Simon Esterson.
The Slavs and Tatars collective makes satirical exhibitions and installations that use pickling as a metaphor. By Gabriela Matuszyk
‘Pickle Politics’ is an eight-work cycle from collective Slavs and Tatars, writes Gabriela Matuszyk.
‘À propos’, Anette Lenz’s first major exhibition in her homeland, is an immersive, virtuoso response to Richard Meier’s MAK building in Frankfurt. By Jan Middendorp
After a two-month Covid-related delay, one of the most remarkable exhibitions of a contemporary graphic designer’s work has now opened at Museum Angewandte Kunst (‘applied art’), aka MAK, in Frankfurt / Main, writes Jan Middendorp.
In the weeks following George Floyd’s death, Minnesota’s Twin Cities filled with graphic expressions of rage, mourning, solidarity and hope. By Steven McCarthy
In the wake of George Floyd’s unwarranted death at the knee of a Minneapolis police officer, the graphic landscape of Minnesota’s Twin Cities has exploded with expressions of rage, mourning, solidarity and hope, writes Steven McCarthy.
Belgian designer Tom Hautekiet was one of the smartest, most energetic practitioners of his generation. His witty and subtly subversive spirit will be missed. By Jan Middendorp
On 30 April 2020, Belgian graphic designer, illustrator and musician Tom Hautekiet died unexpectedly at his family home, aged only 50. The Flemish cultural world was devastated, writes Jan Middendorp.