26 June 2020
A display of every edition of Eye from 1 to 100 turned magCulture into a surreal cross between gallery and newsagent, complete with masked customers. Art director Simon Esterson reports
On Thursday 18 June 2020, Jeremy Leslie was keen to celebrate customers being able to browse magazines in his shop magCulture again, writes Eye’s art director Simon Esterson.
1 March 2016
Another bundle of back issues – 34, 43, 49 & 56 – featuring design in the public realm
‘The Big Picture’ is the handy, if somewhat arbitrary name we have given to a bunch Eye issues from the turn of the century and early noughties: nos. 34, 43, 49 and 56. All four issues were art directed by Nick Bell.
31 December 2015
A bundle of poster-themed back issues – 38, 46, 51 & 69
Eye magazine has often covered the changing nature of poster design and its place in the graphic design world.
22 December 2015
For a limited time, you can buy a bundle of Eye typography issues – at a bargain price
This ‘Type and lettering’ bundle contains issues 37, 45, 50 and 72: all have a special interest in designers and examples of typographic design and lettering forms. Although these issues do not focus solely on type, we have chosen them for what they reveal about the relationships between design, illustration and typography.
18 December 2015
For a limited time, you can buy a bundle of themed Eye back issues – at a bargain price
Occasionally you meet someone whose business card says ‘storyteller’ – which might prompt some of us to run to a bar several blocks away – but usually they have the grace to hand over the card with an ironic shrug. As one such person said to us the other day, ‘Yes, Nathan Barley has come true!’
23 May 2014
‘Chaos at the Museum’ burned bright. The event was a rare opportunity to share new visions for the future of exhibition design, writes Nick Bell
The most unusual thing about the London conference ‘Chaos at the Museum’ was that it was devoted to design, writes Nick Bell.
14 October 2013
A report from day two of the AGI Open conference at London’s Barbican.
Day two of AGI Open kicked off with insights and wisdom about ‘collaborative practice’, write Pam Bowman and Matt Edgar.