Worth the paper it’s printed on?

Laurel Harper

Laurel Harper on paper samplers


High thoughts on a self-effacing art

Robin Kinross

‘To begin with, let us enumerate what is repulsive and therefore wrong.’ Thus opens an…

The desktop repro-house

Brett Wickens

Do-it-yourself reprographics are just around the corner, according to the suppliers. Brett Wickens urges…


David Stone Martin

Eye editors

Jazz Graphics by Manek Daver (Graphic-Sha, £27.50) is an encyclopaedic compendium of…

Word, image and emotion

Penny Sparke

Graphic design history is a notoriously tricky subject spanning, as it inevitably has to…

The end of an art form?

Tibor Kalman

Is the poster a valid communication medium or a historical object that graphic designers…

Dutch Best Books

Gerard Hadders

During the 1950s and 1960s, the Dutch Best Book Designs review was perhaps the public’s…

A graphiste comes home

Margo Rouard-Snowman

Though small, this significant exhibition by the French designer, Philippe Apeloig, whose…

A grid for all occasions

Rick Poynor

Lella and Massimo Vignelli design by the grid, but they also live and work by the grid.…

Typography’s new priests

Robin Kinross

‘Type90’ brought several hundred typographically preoccupied people to Oxford this…
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